MNIK is rock solid overseas

My Name Is Khan continues to dominate the international charts. The combined total from key international markets, at the end of 10 days, is approx. Rs. 46.25 crores.
U.K. BOX-OFFICE
Note:- Collections of several films are unavailable. Hence, this list is incomplete.

* My Name Is Khan [last weekend: No. 6, this weekend: No. 9]: In its second weekend, the film has collected £ 4,48,747 on 91 screens, with the per screen average working out to £ 4,931.
Total: £ 19,60,349 [approx. Rs. 14.05 crores].

U.S.A. BOX-OFFICE
* My Name Is Khan [last weekend: No. 13, this weekend: No. 17]: In its second weekend, the film has collected $ 7,00,885 on 125 screens, with the per screen average working out to $ 5,607.
Total: $ 32,53,168 [approx. Rs. 15.01 crores].

AUSTRALIA BOX-OFFICE
* My Name Is Khan [last weekend: No. 10, this weekend: No. 15]: In its second weekend, the film has collected Aus. $ 1,73,846 on 37 screens, with the per screen average working out to Aus. $ 4,699.
Total: Aus. $ 7,62,584 [approx. Rs. 3.17 crores].

OTHER KEY MARKETS

* Singapore: USD $ 3,01,094 [approx. Rs. 1.39 crores]

* Pakistan: USD $ 3,65,298 [approx. Rs. 1.68 crores]

* East and West Africa: USD $ 1,65,260 [approx. Rs. 76.22 lacs]

* Middle East Markets: USD $ 2.21 million [approx. Rs. 10.19 crores

My Name Is Khan looses to 3 Idiots

This is a a piece of news which will hurt the fans of Shahrukh Khan. King Khan has lost it out to the perfectionist Aamir Khan once again. Shahrukh's My Name Is Khan which had got a bombastic opening opening in it's first week has lost grip over the Box Office in it's second week and seems to be no match for Aamir's 3 Idiots. My Name Is Khan has seen a steep fall in the second week with occupancy falling as much as 60% to 80%.
The movie had started off well thanks to the controversy created by the Shiv Sena over Shahrukh's support to the Pakistani players in the IPL. Fox Star India which is distributing the movie was excited after the movie had a better start than 3 Idiots. But My Name Is Khan seems to have lost the momentum having grossed Rs. 150 Crores in the second week compared to Rs. 240 Crores , 3 Idiots grossed in the first 10 days.


This is not the first time that Shahrukh has emerged No. 2 in the race. In 2008 too Shahrukh's Rab Ne Bana Di Jodi was going well but when Aamir's Ghajini released the movie found tough to breathe. Ghajini had gone on to establish records at the Box Office which was incidentally broken by Aamir starer 3 Idiots. Now having lost two consecutive rounds to Aamir, Shahrukh will find it tough to keep his 'Baadshah of Bollywood' tag.
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Zarine Khan Launches a New Variety of her Festive Collection - Photos

Zarine Khan Walks the Ramp for Archana Kochar
Designer Archana Kochhar’s name has always been synonymous with sexy styling; everything was high volume from her bold colour scheme to the use of bright gold embellishments. Archana was making no apologies for the fact that she loves glamour.
Bollywood Actress Zarine Khan stated, “Archana stands for the true essence that, luxury lies in celebrating the Indian wedding. I like to the way she uses colours and jeweled embroideries to add that extra elegance and opulence to her bridal designs. It was a pleasure being associated with her”
Adding to that, Fashion Designer Archana Kochhar stated, “The textile and apparel industry in Gujarat has made rapid advancements over the years. Vibrant Gujarat is a step to raise the levels of branded designs in the Silky City of Diamonds and create a distinguished mark in the fashion industry. This collection resonates bridal opulence and sheer grandeur of the Indian DNA.”
Zarine Khan spells magic as Designer Archana Kochhar's showstopper
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Shraddha Kapoor, Suzanne Roshan, Preity Zinta at Teen Patti Movie Premiere - Photos

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Kites- Realising on may 21

Banner
Filmkraft Productions (I) Pvt Ltd
Release Date
May 21, 2010
Language
Hindi  /  English
Genre
Thriller  /  Romance
Shooting Studios
Filmistan
Producer
Rakesh Roshan
Sunaina Roshan
Director
Anurag Basu
Star Cast
  • Hrithik Roshan
  • Kangna Ranaut
  • Barbara Mori
  • Kabir Bedi
  • Nick Brown
Cassettes and CD’s on
T-Series
Music Director
Rajesh Roshan

Story / Writer
Akash Khurana
Anurag Basu
Robin Bhatt

Hrithik Roshan starrer romantic saga ‘Kites’, which also marks the Bollywood debut of Mexican model Barbara Mori, will hit theatres worldwide on May 21.

The Hindi and English versions of ‘Kites’ will release worldwide simultaneously in 60 countries.The first trailer of the movie, which has been produced by Rakesh Roshan, distributed and marketed by Reliance Big Picture, was unveiled in 1700 screens on 12th February.

Will ‘Hurt Locker’ have an ending like ‘Brokeback’?

With wins at the Producers Guild, Directors Guild, Writers Guild, and British Academy Awards, “The “Hurt Locker” ” has clearly been racking up the major pre-Oscar prizes in the last month.
In fact, with the exception of a couple big-ticket losses at the Golden Globes and SAG Awards, Kathryn Bigelow’s film has nearly accomplished the same sweep that “Slumdog Millionaire” pulled off last year. By that yardstick, the film seems like a sure thing to win the Best Picture Oscar on March 7, particularly because those two high-profile losses came at the hands of two different films (“Avatar” at the Globes, “Inglourious Basterds” at SAG) rather than one.
But then I started looking at all ““Brokeback”  Mountain’s” pre-Oscar record from four years ago and I found some striking similarities. 
“Brokeback” managed the rare feat of winning Best Picture and Best Director at both the New York and Los Angeles film critics awards; so did ““Hurt Locker.” “Brokeback” also picked up those two big prizes at the Broadcast Film Critics Awards; so did “Hurt Locker.” “Brokeback” won the trifecta of PGA, DGA, and WGA trophies; so did “Hurt Locker.” “Brokeback” won 4 BAFTAs, including Best Film, Director, and Screenplay; “Hurt Locker” picked up 6 awards, including Best Film, Director, and Screenplay. And of course, “Brokeback” lost the SAG cast award, and so did “Hurt Locker.” (The main difference between the two films’ tallies is that “Brokeback” did win four Globes, including Best Drama and Best Director, while “Hurt Locker”  went 0 for 3.)
All of this is on my mind right now because we’re about to put our Oscar Odds issue to bed (it’ll be on stands this Friday), and it’s really making me think twice about my prediction that The “Hurt Locker”  will emerge victorious on March 7.
There’s still a distinct possibility that “Hurt Locker”  will mirror “Brokeback”  yet again and win three Oscars (let’s say Best Director, Best Original Screenplay, and Best Editing) but lose the big one to a more easily-digestible rival, in this case “Avatar.” 
But I’m swayed by the argument (best articulated by Steve Pond over at The Wrap) that even if “Avatar” scores the most No. 1 votes, The “Hurt Locker”  is likely to perform better in subsequent rounds of voting, since Bigelow’s film may have more No. 2 and No. 3 rankings than “Avatar” will. So, fully knowing that I may end up being wrong, I’m sticking with The “Hurt Locker”.
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"Avatar" Vs "Heart Locker" hard contest

Britain's love of the underdog triumphed Sunday as intimate war drama "The Hurt Locker" beat 3D spectacular "Avatar" to take six prizes, including best picture, at the British Academy Film Awards.
Kathryn Bigelow won the best-director battle with "Avatar"'s James Cameron, her ex-husband, for her intense depiction of a bomb-disposal squad in Iraq.
"It means so much that this film seems to be touching people's hearts and minds," Bigelow said. 
Both films had eight nominations for the British awards, considered an indicator of possible success at the Academy Awards in Los Angeles next month. "Avatar" and "The Hurt Locker" each has nine Oscar nominations.
"The Hurt Locker" also took British prizes for original screenplay cinematography, editing and sound.
"Avatar" won awards for production design and visual effects for its vivid vision of a distant moon populated by a blue-skinned species called the Na'vi.
"Hurt Locker" screenwriter Mark Boal dedicated the best-film prize to the hope of peace "and bringing the boys and girls back home."
Bigelow also paid tribute to soldiers serving in Iraq, and said the goal of the film was "putting a bit of a spotlight on a very, very difficult situation."
"I hope that in some small way this film can begin a debate ... and bring closure to this conflict," she said.

David vs. Goliath?

The "Avatar"/"Hurt Locker" battle initially seemed like a David-and-Goliath story. Cameron's last feature, "Titanic," won 11 Oscars, including picture and director. "Avatar" is a global phenomenon that has taken more than $2 billion at the box office.
"Hurt Locker" has made about a hundredth that much.
"It did not seem like a slam-dunk commercial proposition," said Boal, who thanked Bigelow and the cast for making "an unpopular story about an unpopular war."
Homegrown British talent did not go home empty-handed. Rising star Carey Mulligan was named best actress for playing a precocious teenager in 1960s London in "An Education."
Colin Firth was named best actor for his performance as a bereaved Englishman in California in Tom Ford's "A Single Man."
Firth said he almost declined the award-winning role, which has also earned him an Oscar nomination. He said he had been about to turn it down by e-mail "when someone came to repair my fridge." He never sent the e-mail.
"I would like to thank the fridge guy," Firth said. 
Firth said he had emerged from working with fashion designer-turned-director Ford "better groomed, more fragrant and more nominated than one has ever been before."
Austrian actor Christoph Waltz, already a hot Oscar favorite, won the supporting actor prize for his turn as a chilling, charming Nazi colonel in "Inglourious Basterds." The supporting actress award went to Mo'nique for "Precious: Based on the Novel 'Push' by Sapphire."
Director Duncan Jones took the award for best British debut for his lost-in-space drama "Moon."
A tearful Jones, whose father is musician David Bowie, said it had taken him a long time to figure out what he wanted to do with his life.
"Finally, I think I've found what I love doing," he said. 

Situation: ‘Jersey Shore 2’ is best series ever

Mike “The Situation” Sorrentino is confident that “Jersey Shore’s” second season won’t disappoint fans of the hit MTV reality show.
“Season 1 was the best reality show in history,” he told the Chicago Tribune. “Season 2 may be the best series ever. It’s going to be legendary.”
And The Situation, whose catchphrases helped make the MTV show a household name, said he’s not preparing any material in advance for the upcoming season. 
“I don’t save material,” he said. “That’s called being on the spot.”
As for what the future holds for the cast, he wasn’t sure if Ronnie Magro and Sammi “Sweetheart” Giancola were still dating.
“I think they broke up — I have no clue,” he said.
According to a previous report from TMZ, the volatile couple split after the taping of the series’ reunion show on January 21, but just days later, co-star Nicole “Snooki” Polizzi told Us Weekly that the pair had gotten back together.
“You never know with them,” Snooki said at the time.
But The Situation told the Tribune that he would be front and center when the show returned no matter what’s going on with his castmates.
“I run that house,” he said. “[Ronnie and Sammi] are the cartoon section. I’m the front page.”

Ryan Phillippe, Abbie Cornish break up-Actress moves out of shared home; couple met during 2006 film shoot


It's over between actress Abbie Cornish and boyfriend Ryan Phillippe, her spokesperson confirms to e-celebrity exclusively.
"Abbie ended the relationship with Ryan and she moved out of their home," the rep tells e-celebrity. On Sunday, the actress was spotted removing her belongings from the house she shared with Phillippe while he visited a friend with children Ava and Deacon.
The split follows months of tabloid speculation that Phillippe has been unfaithful to Cornish — regularly hitting the nightclubs and being linked to other women. When asked about the cause of the break-up and whether Phillippe cheated on Cornish, her rep replied, "No comment."

ornish, 27, and Phillippe, 35, met in 2006 on the set of the film, "Stop-Loss," and survived intense media scrutiny following Phillippe’s divorce from Reese Witherspoon. Cornish has been in Vancouver for the last seven months shooting the film "Sucker Punch."
Reps for Phillippe could not be reached for comment.

Movie Review- The Wolfman

Director: Joe Johnston
Screenplay: Andrew Kevin Walker, David Self, Curt Siodmak (1941 screenplay)
Actors: Anthony Hopkins, Benicio del Toro, Emily Blunt, Hugo Weaving, Geraldine Chaplin
Cinematography: Shelly Johnson
Music: Danny Elfman
Release Date: February 12, 2010
Rating: 6 out of 10


Review:

The Wolfman is a remake of the popular horror classic that was produced by Universal over 60 years ago. Instead of capitalizing on a more contemporary adaptation of the character the studio decided to stick with the old plot and feel of the original. This includes the overseas location and time period, accompanied by plenty of blood and gore. This film could have been an amazing revamp of its predecessor but the excessive violence and unnecessary bloodshed ruins it all.

Lawrence Talbot, a haunted nobleman, returns to his family estate after his brother’s fiancee informs him of his death. It turns out that his sibling was murdered in the woods by a mysterious creature, who inflicted fatal wounds that weren’t of human origin. Against the advice of others he delves deep into his search, which sets a life changing event in motion. Throughout the film we try to figure out if it was destiny, a curse, or bad luck that leads him to his fate of becoming the Wolfman.

The Good:

Anthony Hopkins: The Oscar winning actor was the epitome of evil as Lawrence’s father. He was so emotionally detached that every time his character appeared on screen you always wondered what was going on behind his eyes.

The Horror: This film was genuinely scary. There are a lot of jump scares, but they actually work and make you want to check your surroundings ever so often.

Editing: The editing here helped with building up tension and fear within the film. There were certain scenes that could only work with the right cuts at the right time, and they were able to pull that off.

The Bad:

The Direction: The cast of this film was great, but it didn’t seem like their talent shined through. It takes a good director to bring out the best in their actors, and that didn’t happen here. Joe Johnston had two Oscar winners, and a Golden Globe nominee, yet they all gave mediocre performances. It makes you wonder what type of direction he was giving them.

The Accents: The location of the film is supposed to be near London, yet everyone’s accents are completely different. Del Toro’s is American, which they explain in the film, but Blunt and Hopkins are another story. Both actors are British in real life, yet Blunt sounded like an American doing her best British impersonation.

The Gore: There are some extremely graphic scenes that didn’t need to be shown. Every time the Wolfman appears expect to see exposed intestines, stomachs, and plenty of heads being clawed off during your viewing.

Overall:

There are certain elements from the original Wolfman that do appear in the remake, the only problem is those similarities are overshadowed by unnecessary blood. This is not a movie for the weak at heart or those with sensitive eyes. The Wolfman is a mixture of old school Gothic horror mixed with the Saw franchise. Does that sound like a pleasant combination to you? If so, you should definitely give it a shot this weekend.

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Movie Review- Valentine's Day



Release Date: February 12, 2010
Studio: New Line Cinema (Warner Bros. Pictures)
Director: Garry Marshall
Screenwriter: Katherine Fugate
Starring: Jessica Alba, Kathy Bates, Jessica Biel, Bradley Cooper, Eric Dane, Patrick Dempsey, Hector Elizondo, Jamie Foxx, Jennifer Garner, Topher Grace, Anne Hathaway, Ashton Kutcher, Queen Latifah, Taylor Lautner, George Lopez, Shirley MacLaine, Emma Roberts, Julia Roberts, Taylor Swift
Genre: Comedy, Romance
MPAA Rating: PG-13 (for some sexual material and brief partial nudity)
Official Website: ValentinesDaymovie.com
Review: 3/10 rating | 5/10 rating


Story: While Valentine's Day is allegedly the busiest time of the year for the delivery of mushy messages and corny love trinkets all around town, the same should never be the case in a movie. Hyperactively busy in the extreme while negotiating endless crisscross plot lines between way too cute celeb cameos that include geriatric infidelity and worse, Garry Marshall's Valentine's Day is skits-ophrenic moviemaking when less would have indeed been much more.

In other words, where does one begin. It's Valentine's Day morning in LA, and shy guy florist deliveryman Reed (Ashton Kutcher) wakes up extra early to propose marriage to ambivalent girlfriend Morley (Jessica Alba), who seems to more attached to her cellphone. Literally. Which means that Reed has to figure out just how to pry her fingers loose from the notoriously addictive gadget, in order to find that spare finger for his engagement ring.

While on another side of town, anxious television news anchor Kelvin (Jamie Foxx) has just been demoted to puff piece patrol to sniff out human interest holiday stories, while the weathergirl taps dances away to stimulate the sagging ratings. And which Kelvin needs to wrap up, before jogging over to a press conference at which a famous athlete will announce he's gay.

Elsewhere, giddy grade school teacher Julia (Jennifer Garner) who is otherwise fairly luckless in romance, daydreams between classroom lessons about her current surprise requited crush on a possibly too good to be true affectionate physician. This while a more sensible and stern army captain (Julia Roberts) shares a philosophical plane ride with a mysterious stranger. Who will actually get to have the last word eventually in wrapping up this overly crowded scenario, that seems less like a smoothly paced script than a rush hour traffic jam on the LA freeway.

But there's more. Also getting in on the act for some dubious comic relief, is Jessica Biel as a thoroughly unconvincing sad sack who can't get a date. As a frantic Anne Hathaway appears to be revisiting her persecuted workplace drudge in The Devil Wears Prada, with Queen Latifah seemingly preempting Meryl Streep this time around, doing The Devil Wears Plus Size Prada.

And while Hathaway moonlights on the sly during work hours as a phone sex operator to make ends meet and pay for her health insurance and outstanding student loan, her dirty talk conversations are so lame PG, that the actual phone sex industry may end up losing business. Though Queen Latifah's boss from hell secretive impulse to move in and take over Hathaway's seductive operation with virtual bullwhip in hand, couldn't be funnier and saves this collaborative mayhem from looming movie overkill.
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