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SRK as Leonadro Di Caprio
Bollywood is excited that the patch-up between Shah Rukh Khan and Vishal Bhardwaj (after years!) has led to the possibility of a remake of Martin Scorsese's super hit The Departed.
That SRK and Bhardwaj will do a film is certain, and if it is the official remake of Scorsese's film, then the actor will most certainly do Di Caprio's role. Which is that of a cop! The last time Shah Rukh played a cop was 10 years ago in the average action drama One 2 Ka 4 co-starring Jackie Shroff.
Apparently, both SRK and Bhardwaj are keen on a joint production and in the meeting that they last had, they were eager to remake The Departed. The consent and rights have to be got from the international production house post which they can embark upon their ambitious film. For Matt Damon's role in the Hollywood film, the two will have to sit down and think about which other big Bollywood star to cast.
However, at the time both SRK and Bhardwaj are busy with current projects, and this remake will not take off before 2011. The Bollywood Badshah is working on Ra.One and Don 2, the former being his home production for which SRK will look into everything from marketing to promotions. He apparently has kept three months away from all other work for Ra.One. Actor SRK, meanwhile, is busy going through a gruelling schedule in freezing Berlin for Don 2. Thus, he has no time to sit with Bhardwaj and discuss their project.
Bhardwaj has dedicated all his time for Saat Khoon Maaf and his ambitious next film Dream Sequence which is still going through casting issues. Hence, the project with SRK is also not on his mind. They will only meet early next year to have a fresh discussion on The Departed remake. In case, it is too difficult for them to work out this project given the rights that have to be taken, they might discuss doing something else. But they will work together next year, that's a guarantee.
Who's the Supercop?
Interestingly, the two other Khans — Aamir and Salman — are also playing cops in movies slated for 2011. While Salman will again play the lovable Robin Hood-ish Chulbul Pandey in the sequel to Dabangg, Aamir is playing the cop after 12 years in Reema Kagti's film. He last played a police officer in the hit Sarfarosh.
Vidya Balan A Sex Symbol ?
Vidya Balan will represent Indian sensuality at its best in 'A Dirty Picture' where she will revive the sex-appeal of Silk Smitha.
Vidya Balan's performance prowess needs no corroboration. But when you learn that she will be playing a character loosely based on the South sex-symbol Silk Smitha (who featured in string of soft-porn films in the 80s and early 90s), it certainly generates a lot of curiosity. While a formulaic filmmaker would have thought of casting someone like today's sex-symbol Mallika Sherawat to portray the character of a yesteryear sex-symbol, director Milan Luthria chooses Vidya Balan for the role in his film A Dirty Picture . "I wanted the casting to arouse interest. At the same time I wanted a process of discovery to happen with the film and lend a new dimension to Vidya Balan", says Milan.
While Vidya Balan has largely restricted herself to the girl-next-door image, she displayed a hint of her sensual side in Ishqiya . Will she take it a step further in A Dirty Picture ? "Everything from sex, sleaze and exposure will essentially be a part of the character", assures Milan clarifying in the same breath, "But I am not an exploitative filmmaker. I want to capture the dramatic and moving side of the story. For that I wanted an ambassador who would not only add sex-appeal to the character but also bring a certain element of emotion and class".
So can we expect to see Vidya Balan at her sexiest best in A Dirty Picture ? "Definitely! Vidya will have a complete image makeover with this film. She will represent Indian sensuality at its best" claims Milan. And how does he plan to achieve that? Milan puts forth his point giving references, "Every actress from Waheeda Rehman, Hema Malini, Sridevi to Madhuri Dixit have, at some point of time in their career, exhibited a very sensual side of theirs. We will try to capture that sensual side of Vidya with this film". Concurrently he emphasizes that painting a dirty picture is no easy job and it's very important to get the right shade. "There will be a certain level of rawness to the sensuality but at the same time it has to be captured very tastefully. We need to strike a balance and ensure that it does not look cheap".
Reportedly Vidya had reservations about the role and also laid her conditions before signing on the dotted line. Milan doesn't deny. "Vidya had reservations regarding a lot of things and not just skin-show. When an actor plays an actor onscreen there is a tendency to get too absorbed in the character. Also Vidya wanted to understand the entire emotional graph of the character. The so-called reservations were more of questions that she had about her character and its portrayal which were answered. Having said that let me tell you that there will be no compromise on the portrayal of the character in any way."
So can we expect Vidya Balan to revive the sex-appeal of Silk Smitha? "Why just Silk Smitha", questions Milan. "My film is based on an entire generation of actresses who were bold enough and carved their own way in life. We have taken references of many such soft-porn stars of the era and added fiction to the narrative. So the story is a mix of several things relating to the character and time and is not just based on one person's life."
That lifts our expectations more. Seems like Vidya Balan is all set to revive an era and redefine the term sex-symbol with her oomph and sex-appeal!
Big B turns farmer for a day
Big B turns farmer for a day Finally, Big B ban gaye farmer. Amitabh Bachchan, who was in Lucknow with wife Jaya for the wedding in the Sahara family, devoted Wednesday morning to some farming. Some time back, TOI had reported about the 15 acres of land that Amitabh Bachchan had bought in Kakori, near Lucknow. With the onset of winters when the sowing of the wheat crop begins, Amitabh Bachchan took a day trip to his farm for the same purpose. Amitabh and Jaya, along with their cousin Bivender Kaur and her family (from Lucknow) went to the farm. Bivendra is Amitabh's masi's daughter. As Rajindra Singh, Bivender's husband, tells us, "Before coming to Lucknow, Amitabh had given me a call and said that he wanted to visit his farm with Jaya and his family, as now is a time for sowing, which he wanted to oversee. He was quite excited about the whole thing." According to Singh, Amitabh had a try at driving the tractor too. "He drove the tractor for 15 minutes in all possible directions, and let me tell you, he enjoyed every bit of this drive," laughs Singh. In fact, Bachchan himself posted on a micro-blogging site: "In Lucknow for a wedding .. visited my farm and .. and .. plowed my land .. drove my tractor, which digs and levels before sowing .." And after Bachchan Senior, Abhishek and bahu Aishwarya too may be making a trip to the same farm in Kakori which is also in their name, lets in Singh. Amitabh, who met his sister Bivender after a long time, spent some quality moments chatting with her at the farm house. Later, the family headed back to Bivender's house in Lucknow where Amitabh feasted on his favourite dishes – makke di roti te sarso da saag – for lunch. "He just loves Punjabi food," informed a family member. |
Movie Review: Guzaarish
Bollywood appears to be inclined towards exploring rare illnesses/disorders/disabilities, with directors casting megastars in characters to raise awareness about the lesser-known ailments. In GHAJINI, Aamir Khan had short-term memory loss [Anterograde Amnesia]. In PAA, Amitabh Bachchan played a child afflicted with Progeria. In MY NAME IS KHAN, SRK was shown suffering from Asperger Syndrome. In TAARE ZAMEEN PAR, Aamir Khan portrayed problems of Dyslexic children. In BLACK, Amitabh Bachchan was shown succumbing to Alzheimer's. In KARTHIK CALLING KARTHIK, Farhan Akhtar portrayed a Schizophrenic.
This is not the first time that master film-maker Sanjay Leela Bhansali has attempted a movie that has the protagonist suffering from a serious disability. In GUZAARISH, Hrithik Roshan suffers from Paraplegia, a complete paralysis of the lower half of the body, including both legs, usually caused by damage/injury to the spinal cord.
Bhansali has always been known for two things. The first thing is, of course, the visual splendour in his films [which was quite evident in HUM DIL DE CHUKE SANAM, DEVDAS and SAAWARIYA] and the second thing that he takes inspiration from various stories. The critically acclaimed BLACK was inspired from THE MIRACLE WORKER [a 1962 film] and SAAWARIYA from 'White Nights', a Russian short story.
There's talk that GUZAARISH is a remake of Christopher Nolan's Hollywood movie THE PRESTIGE, which, let me clarify, it is not. GUZAARISH brings back memories of two films, which may be coincidental: The Spanish Oscar and Golden Globe winning film MAR ADENTRO aka THE SEA INSIDE [2004], which, in turn, was based on a real-life story of Ramon Sampedro and WHOSE LIFE IS IT ANYWAY?, a television play which was later adapted into a play [theatre] and much later into a film [1981].
Bhansali has worked himself to the grind and his presence is felt in every frame of GUZAARISH. There is an inimitable intellect that Bhansali brings to his movies. Bhansali is also known to extract the best performances from his actors. In a light-hearted vein, I would go to the extent of saying that Bhansali has the ability to make a dumb man speak and a sightless man see. His devotion and dedication towards his craft is truly inspirational and motivating. In GUZAARISH, Bhansali puts behind all the glitter and glamour and comes up with yet another unique and sensitive story told through a series of flashbacks.
Final word? GUZAARISH is special in more ways than one. In my individualistic opinion, it easily ranks amongst Bhansali's best works so far. Just don't miss this one!
Set in Goa, it tells the story of an accomplished magician Ethan Mascarenhas [Hrithik Roshan]. Ethan suffers serious injuries when one of his magical trick goes horribly wrong, turning him to a Paraplegic. Confined to a wheel chair, Ethan becomes a Radio Jockey at an FM Station called Radio Zindagi. His show talks of hope, laughter and sunshine and it's difficult to imagine that the man behind it has been immobilized with a spinal injury for the last fourteen years of his life. Sofia [Aishwarya Rai Bachchan], a nurse, takes good care of him; they share a silent love.
Ethan files a petition in court for mercy killing. This decision of Ethan leaves Sofia stunned. Ethan takes the help of friend-lawyer Devyani [Shernaz Patel] to support his appeal. Even Ethan's mother Isabel [Nafisa Ali] supports him in his petition, although Ethan is persuaded by his physician Dr. Nayak [Suhel Seth] to retract his case. Alongside all this, Omar [Aditya Roy Kapur] enters Ethan's life with the aim of learning magic from him. Impressed by Omar's love for magic, Ethan agrees to pass on his legacy to him.
Only a sensitive raconteur can do absolute justice to a challenging subject like the one in GUZAARISH and Bhansali seems the right candidate for an extremely tricky theme like mercy killing/Euthanasia. The story is complex and can only be narrated by a storyteller who has the art of telling stories most convincingly. Sure, the protagonist in GUZAARISH wants to end his existence, but that doesn't mean the film is disheartening or unsettling. Clearly, the writing [screenplay: Bhavani Iyer and Bhansali] is smart, taut and absorbing.
GUZAARISH has a number of sequences that bear the unmistakable stamp of a genius. Sample these…
* The courtroom sequence and Aishwarya's outburst towards the end of it.
* The hearing of the petition at Hrithik's house.
* Hrithik's act going wrong and the near-fatal accident.
* The finale.
Any negatives? The generous usage of English in the narrative. The language is sure to act as a barrier in the hinterland specially. Agreed, the film is set in Goa, they are bound to speak that language, but despite everything, Hindi is a must for a pan-India appeal.
Irrespective of how his films fare at the box-office, Bhansali's films have always been embellished with rich and cherished music. The songs continue to linger in the hearts of the listeners with their dulcet and soothing tunes. After legendary Satyajit Ray and Vishal Bhardwaj, Bhansali is the next accomplished film-maker who has himself created the music of his film. The songs in GUZAARISH are more inclined towards poetry that's earthy and contemporary. However, it does take some time for the listeners to sense the pulse of the music. 'Tera Zikr Hai Ya Itra Hai' is a limerick to exquisiteness, 'Sau Gram Zindagi', with its philosophical tone, leaves a lasting impression, the title track 'Guzaarish' casts a spell on you and 'Udi' is, of course, memorable.
GUZAARISH has been magnificently shot. The indoors as well as outdoors [the gorgeous panorama] add so much to the film. There's no refuting that cinematographer Sudeep K. Chatterjee has created some really alluring and enthralling visuals. The very effective and subtle background score [Tubby and Parik] of GUZAARISH is its very backbone. The feelings of intrigue, anxiety, anguish and romance come across so well. In fact, for the very first time, I felt that I was not hearing the background score, I was feeling it. Dialogue [Bhavani Iyer and Vibhu Puri] belong to high standards that touch your soul. Costumes [Sabyasachi] are absolutely wonderful; they gel well with the setting and mood of the film.
Hrithik and Aishwarya are seen in a lackluster facade and that's what makes the characters so plausible. While Hrithik is seen sporting a beard and has even put on weight, Aishwarya is seen in sober outfits. In fact, the two actors have gone through a drastic appearance change and both pressurize you to believe that they are indeed Ethan and Sofia. It must be said that Hrithik and Aishwarya exude a certain dignity and elegance, much needed for a sensitive film of this magnitude and caliber.
It must have been an arduous task for Hrithik to carry off the Paraplegic character of Ethan Mascarenhas, but he depicts the part with flourish. It's a great risk in filmy norms to have the hero of the film almost entirely on a wheel chair, but Hrithik has never hesitated or been irresolute in putting himself to adverse conditions, in order to achieve excellence, in whatever character he chooses to depict. Kudos to Hrithik for accepting a role that's truly opposite to his larger-than-life image and portraying it with elan.
Aishwarya, as Ethan's nurse who is the epicenter of his world, has approached this role with rare understanding, not going overboard even once. So effective is she that she not only influences you but also compels you to believe that their love is solid in its quiet strength and also spirited in their verbal sparring. The sensational chemistry, which sizzled the silver screen in DHOOM 2 and JODHAA AKBAR and won hearts all over, sizzles yet again, but this time in a distinctive aspect.
Aditya Roy Kapur is truly outstanding in a pivotal character. Shernaz Patel is exceptional. Nafisa Ali makes her presence felt in a small but significant role. Suhel Seth is in terrific form. Moni Kangana Dutta is okay. Vijay Crishna [judge] is effective. Rajit Kapoor does complete justice to his role. Makarand Deshpande leaves an impression. Ash Chandler and Achint Kaur lend good support.
On the whole, GUZAARISH is an invigorating tale. Bhansali, as a film-maker, has scaled several notches above his past accomplishments to create a near-perfect cinematic experience. The highpoint of the motion picture is the magnificently penned story of an incapacitated and debilitated man who desires to end his being with dignity. The film seduces the viewer with a strong emotional quotient, soulful music and of course, the crackling and wonderful onscreen chemistry between Hrithik and Aishwarya. Without doubt, GUZAARISH is one of the most profound, insightful and enriching dramas of the year.
Upcoming Movies - Release Dates
The below-mentioned release dates have been given by the producers and distributors of these films. At times, the films get postponed for various reasons, hence the list is updated every week. All releases are subject to Censor Certification. The Latest movies of 2010 and 2011 also the most awaited movies.
Nov 5, 2010 --------------- Action Replayy, Golmaal 3
Nov 12, 2010 --------------- A Flat, Allah Ke Banday, Diwangi Ne Had Kar Di, Dunno Y Na Jaane Kyun..., Ramaa - The Saviour, The Social Network
Nov 19, 2010 --------------- Guzaarish, Rakht Charitra - 2, Shahrukh Bola Khoobsurat Hai Tu, 332 Mumbai To India
Nov 26, 2010 --------------- Break Ke Baad, Payback, Phas Gaye Re Obama
Dec 3, 2010 --------------- Khelein Hum Jee Jaan Sey
Dec 10, 2010 --------------- Band Baaja Baraat, Impatient Vivek, No Problem
Dec 17, 2010 --------------- Toonpur Ka Superhero
Dec 24, 2010 --------------- Happi, Tees Maar Khan
December 2010 -------------- Run Bhola Run
Jan 7, 2011 --------------- No One Killed Jessica
Jan 14, 2011 --------------- Yamla Pagla Deewana
Jan 21, 2011 --------------- Dil Toh Bachcha Hai Ji, Game, Saat Khoon Maaf
January 2011 --------------- Delhi Belly, It'S My Life
Feb 4, 2011 --------------- Dum Maaro Dum
Feb 11, 2011 --------------- Patiala House
Feb 25, 2011 --------------- Dhobi Ghat
Apr 8, 2011 --------------- Thank You
May 2011 --------------- Agent Vinod
June 2011 --------------- Ra. One, Rockstar, Zindagi Na Milegi Dobara
Dec 23, 2011 --------------- Don 2
Nov 5, 2010 --------------- Action Replayy, Golmaal 3
Nov 12, 2010 --------------- A Flat, Allah Ke Banday, Diwangi Ne Had Kar Di, Dunno Y Na Jaane Kyun..., Ramaa - The Saviour, The Social Network
Nov 19, 2010 --------------- Guzaarish, Rakht Charitra - 2, Shahrukh Bola Khoobsurat Hai Tu, 332 Mumbai To India
Nov 26, 2010 --------------- Break Ke Baad, Payback, Phas Gaye Re Obama
Dec 3, 2010 --------------- Khelein Hum Jee Jaan Sey
Dec 10, 2010 --------------- Band Baaja Baraat, Impatient Vivek, No Problem
Dec 17, 2010 --------------- Toonpur Ka Superhero
Dec 24, 2010 --------------- Happi, Tees Maar Khan
December 2010 -------------- Run Bhola Run
Jan 7, 2011 --------------- No One Killed Jessica
Jan 14, 2011 --------------- Yamla Pagla Deewana
Jan 21, 2011 --------------- Dil Toh Bachcha Hai Ji, Game, Saat Khoon Maaf
January 2011 --------------- Delhi Belly, It'S My Life
Feb 4, 2011 --------------- Dum Maaro Dum
Feb 11, 2011 --------------- Patiala House
Feb 25, 2011 --------------- Dhobi Ghat
Apr 8, 2011 --------------- Thank You
May 2011 --------------- Agent Vinod
June 2011 --------------- Ra. One, Rockstar, Zindagi Na Milegi Dobara
Dec 23, 2011 --------------- Don 2
Yana Gupta Wardrobe Malfunction at Child Reach NGO Event - Photos
Yana Gupta forgets to wear underwear at Child Reach NGO Event
At a NGO event, the cameramen snapped model-turned-actor hottie Yana Gupta flaunting her private parts.
She was reportedly at a charity event and looked hot in short black dress. The dress that showed off her cleavage apparently did little to hide her intimate body parts.
Yana Gupta was photographed sitting cross-legged at the event and was also snapped while getting into her car. This is not the first time that wrong inner-wear has embarrassed Bollywood personalities. Mallika Sherawat has also been on the same list.
At a NGO event, the cameramen snapped model-turned-actor hottie Yana Gupta flaunting her private parts.
She was reportedly at a charity event and looked hot in short black dress. The dress that showed off her cleavage apparently did little to hide her intimate body parts.
Yana Gupta was photographed sitting cross-legged at the event and was also snapped while getting into her car. This is not the first time that wrong inner-wear has embarrassed Bollywood personalities. Mallika Sherawat has also been on the same list.
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